Title

Crucifixion

Author

David, Gérard [school of]

Oudewater, ca 1450/1460 - Bruges, 1523

Isenbrant, Adriaen [school of]

?, ca 1485 - Bruges, 1551

Typology

School

Century

Dimensions

Technique

Support

Observations

It was assembled as a triptych, this being the central panel, together with two side panels depicting angels with the signs of Christ's Passion, which do not correspond either in quality or style to the Calvary panel. They are currently kept in the city's Seminary (fig. 12 in Renard Gros 2010). 

Related links

Restorations

• 2000, Paloma Renard Gross, Instituto de Patrimonio Español.

Bibliography

• P. Renard Gross (2010): "La técnica pictórica vista por el restaurador", en La pintura europea sobre tabla siglos XV, XVI y XVII, Instituto del Patrimonio cultural de España, Madrid, pp. 86-90, il. 11-20.
• Saiz Gómez, Santos (2004): Catálogo. Museo Diocesano, Diputación de Cuenca, Cuenca, p. 43.
• J. Bermejo Díez (1977): La Catedral de Cuenca, Caja de Ahorros Provincial de Cuenca, Cuenca, p. 333.
• M.J. Friedländer (1974): Early Netherlandish Painting, XI. The Antwerp Mannerists, Adriaen Ysenbrant, Praeger, New York, p. 85.
• D. Angulo Iñiguez et al. (1956): Exposición de Arte Antiguo. Cuenca, p. n.º 5.

Locations

• Old Church of Santa María de Gracia, Cuenca (Spain)
• Museo Diocesano, Cuenca (Spain)