Title
Guglielmo Raimondo Moncada Visiting the King of Aragon
Co-author
Luigi Gentile
Ninove, 1606 - Brussels, 1667/1668
Van Kessel, Jan
Antwerp, 1626 - Antwerp, 1679
Typology
PaintingsSchool
AntwerpDate
1663Century
Third quarter of the XVIIIth c.Dimensions
54 x 68 cmTechnique
OilSupport
CopperInscriptions
On the upper noble shield: "GVILLIELMVS RAIMVNDVS MONCATA / HVJVS NOMINIS / III AVGVSTAE COMES"
On the lower noble shield: "REGEM ARAGONIAE ALLOQUITVR ILLIQUE EREPTAM ALAGONIO REGINAM SPONDET"
Signature: "P. Gentil"
Observations
This copper is part of a series commissioned by Luis Guillén de Moncada on the occasion of the marriage in 1664 of his son, Fernando de Aragón y Moncada, VI Prince of Paterno and VIII Duke of Montalto with María Teresa Fajardo, VII Marquise de los Vélez, VI Marquise de Ribera, Molina and Martorell. Luis Guillén de Moncada commissioned a set of 12 coppers. Shortly after, 8 more coppers were made to complete the series. The project to transfer the models of these 20 coppers to tapestry was never completed; only 6 panels were made.
This work is part of the first phase of the cycle that narrates the exploits of Guglielmo Raimondo de Moncada, count of Aosta (1384). The central scene, made by Luigi Gentile, shows Guglielmo Raimondo Moncada visiting the King of Aragon. The border that frames the scene, the work of Jan van Kessel the Elder, is richly decorated with different objects and two noble shields with inscriptions alluding to the event represented.
Related links
RKD: Netherlands Institute for Art HistoryBibliography
- Guy Delmarcel, Margarita Garcia Calvo, and Koenraad Brosens (2010): "Spanish Family Pride in Flemish Wool and Silk: The Moncada and their Baroque Tapestry Collection", en Thomas P. Campbell, Elizabeth A. H. Cleland, Tapestry in the Baroque : new aspects of production and patronage, Metropolitan Museum of Art Symposia, Yale University Press, New York, New Haven and London, pp. 289, 294, il. 5.
- M. Díaz Padrón, J. Sanzsalazar, A. Diéguez et al. (2003): El Triunfo del mar. Las riquezas marinas en la pintura europea del siglo XVII, MInisterio de Agricultura, Pesca y Alimentación FROM, Madrid, p. 234.
- J. Sanzsalazar (2001): "Un dibujo de Willem van Herp de la serie de los Moncada, en la Galería Nacional de Edimburgo", Boletín del Seminario de Estudios de Arte y Arqueología: BSAA, nº 67, p. 285.
- M. Díaz Padrón (1978): "Obras de Guillaume van Herp en España. II", Archivo español de arte, vol. 51, nº 201, p. 20.
- M. Haro y MM. Dhios et George (1870): Catalogue des Tableaux Anciens, Porcelaines de Sevres, de Saxe et de Chine Bonheur du Jour Taisseries Peovenant de Feu M. Le Marquis de Villafranca Duc de Ferandina de Montalto..., Hôtel Drouot, Paris, pp. 15, n.º 13.
Locations
- 1664: Collection Vélez, Madrid (Spain)
- 1683 - 1870: Collection Villafranca, Madrid (Spain) (Inventory number: 13)
- Private Collection, Madrid (Spain)